MY STARRY FIELD OF ANGELS COMING HOME
The locomotives buried in my uvula help angels
into this odd stillness, this place of erasing
inside the cavernous mouth of my cyclotron's
wandering lizard of already. My body burns
with the luxury of early flamethrowers, luminous
under a plumage of helmets yet to break open.
A poem takes me into a place, a meadow
where in the heart of a volcano I find all my stories
drawn through a rollercoaster tunnel in league
with sleep. Jets engaged, I have nowhere
to go. Bathed in my robe of Promethean teeth,
leafy nights re-imagined, my head dressed
out for a thirstier Thumbelina who slings me
treeward to pierce her amethyst umbrella, spinal
arrows reaching for crisper starlight's
purpling frost. To celebrate this angelic arrival,
we buy tickets of gravity to mend bees, a lemony
tang of pollen bright in its rub of petals. I die
after this mandala a softness– present-moment
breach a roving chestnut lustrous in matching bolts
of cinnamon and oh, this diamonded crust of mud.
Bobby Parrott is radioactive, but for how long? This poet's epiphany concerns the intentions of trees, and now his poems enliven dreamy portals such as Tilted House, Rumble Fish Quarterly, Rabid Oak, Exacting Clam, Neologism, and elsewhere. He lives in Fort Collins, Colorado with his house plant Zebrina and his hyper-quantum robotic assistant Nordstrom.